Hazel O'Sullivan

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	<title>Hazel O'Sullivan </title>
	<link>https://hazelosullivan.co.uk</link>
	<description>Hazel O'Sullivan </description>
	<pubDate>Mon, 22 Sep 2025 15:30:54 +0000</pubDate>
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		<title>Home</title>
				
		<link>https://hazelosullivan.co.uk/Home</link>

		<pubDate>Mon, 31 Oct 2022 13:06:31 +0000</pubDate>

		<dc:creator>Hazel O'Sullivan </dc:creator>

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		<title>CV</title>
				
		<link>https://hazelosullivan.co.uk/CV</link>

		<pubDate>Tue, 01 Nov 2022 11:21:33 +0000</pubDate>

		<dc:creator>Hazel O'Sullivan </dc:creator>

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CV
2021 - present


Education


2023 &#38;nbsp;
MA Fine Art, Chelsea College of Arts, London, UK. 


2021 &#38;nbsp;
BA Fine Art (International) with Critical Cultures, National College of Art and Design (NCAD), Co. Dublin, Ireland.
 &#38;nbsp;

2020 &#38;nbsp;
Erasmus Fine Art Painting, University of Fine Arts Münster, (Kunstakademie Münster), Germany.&#38;nbsp; 
 

Residencies


2024 &#38;nbsp;
Working Class Creatives Database x Acrylicize, Bethnal Green, London, UK. (9 weeks)2023 &#38;nbsp;
Good Eye Projects Summer Residency, Hammersmith, London, UK. (6 months).
2022 
Hypha Studios x Mason &#38;amp; Fifth, Primrose Hill, London, UK. (3 month live-in residency)PADA Studios x Turps Banana, Lisbon, Portugal. (1 month live-in residency)


Awards&#38;nbsp;


2024 &#38;nbsp;
The Maffioli Art Group and The Morrison &#38;amp; Foerster Art Prize, London, UK.&#38;nbsp;The Agility Award, The Arts Council, Ireland.&#38;nbsp;


2022 &#38;nbsp;
Solstice Visual Arts Award, Co. Meath, Ireland 


2021
Clancy Quay/Superprojects Professional Development Award, Dublin, Ireland.&#38;nbsp;


Solo Exhibitions

2025
Circa Ré, The Kerlin Gallery, Co. Dublin, Irelan.
2024&#38;nbsp;&#38;nbsp;
RETROFUTURE, The LAB Gallery, Co. Dublin, Ireland.&#38;nbsp;


2023&#38;nbsp; 
Harvest Gold, Solstice Arts Centre, Co. Meath, Ireland. &#38;nbsp;


2021&#38;nbsp; 
Inner-City, The Wilton Gallery, Co. Dublin, Ireland.

Duo Exhibitions


2024 &#38;nbsp;
Otherscapes w/ Sarita Oseitutu, Acrylicize, London, UK.
2023 &#38;nbsp;
Cladding w/ Charys Wilson, Catalyst Arts, Belfast, Northern Ireland.

2022 &#38;nbsp;
We Broke Our Backs Years Ago w/ Phillip Rhys Olney, Platform Arts, Belfast, Northern Ireland


Public Commissions
2025
Droichead na Sidhe, Annual Railway Bridge Commission, Focal Point Gallery, Essex, UK.


Selected Group Exhibitions


2025
Running Through London, Twilight Contemporary, London, UK.
Factory Made, The Green on Red Gallery, Co. Dublin, London.
LAS Launch, London Art Services, London, UK.
New Contemporaries, ICA, London, UK.

In The Press, Hypha Studios, London, UK.&#38;nbsp;

 Irish Art Now, Irish Embassy, London, UK. Good Eye Projects, Saatchi Gallery, London, UK.
Fantasyland, Twilight Contemporary, London,
2024Chorus Fundraiser, San Mei Gallery, London, UK.&#38;nbsp;
New Contemporaries, KASRT, Mirror and The Levinsky Gallery, Plymouth, UK.
Mixtape, The Vanner Gallery, Salisbury, UK.Summer Exhibition, The Lavit Gallery, Co. Cork, Ireland.Morrison and Foerster Award, The Scalpel Building, London, UK.Good Eye Projects Autumn Residency Show, London, UK. 


2023&#38;nbsp;
Racht, Hermans Auctions, Co. Dublin, Ireland. Two For Joy, San Mei Gallery, London, UK.Community of Hope: Artists for Dublin Simon, Gormleys Gallery, Co. Dublin, Ireland. 
Trinity Access Programme, Trinity College Dublin, Ireland.&#38;nbsp;
First Edition, Collective Ending, London, UK.
Spring and Summer Residency Show, Good Eye Projects, London, UK.&#38;nbsp;
Deorad, Hermans Auctions, Co. Dublin, Ireland.
MELT, Hypha Studios, Euston, London, UK.
Graduate Exhibition, Outset Gallery, Galway, Ireland. RHA 193rd Annual Exhibition, Royal Hibernian Academy, Co. Dublin, Ireland. Contemporary Discoveries, The Wilton Gallery, Co. Dublin, Ireland.&#38;nbsp; 
Dessel ‘23, Herman’s Auction, Co. Dublin, Ireland. 
New Horizons, Green on Red Gallery, Co. Dublin, Ireland.
2022 &#38;nbsp;
Surveyor 2022, Solstice Arts Centre, Co. Meath, Ireland. TURPS &#38;amp; PADA RESIDENCY 04, PADA Studios, Lisbon, Portugal.
Paipeir, Hang Tough Contemporary, Co. Dublin, Ireland.MA Fine Art Graduate Showcase, Chelsea College of Arts, London, UK.RHA 192nd Annual Exhibition, Royal Hibernian Academy, Co. Dublin, Ireland.
Bread &#38;amp; Butter, co-curated exhibition at Filet Gallery, London, UK.
Back To Life, St. Saviours Church Pimlico, London, UK.


2021&#38;nbsp;
Surveyor 2021, Solstice Arts Centre, Co. Meath, Ireland.
It’s At Home x Dublin Modular, The Complex Gallery, Co. Dublin, Ireland.
Having a Coke With You, The Cookhouse Gallery (co-curated with Central Saint Martins), London, UK.Culture Night x First Day Gallery at the Guinness Storehouse, Co. Dublin, Ireland.
RISING 2021, Hang Tough Contemporary, Co. Dublin, Ireland.BA Grad Show, National College of Art and Design, Co. Dublin, Ireland.
Pharmakon, The Temple Bar Medical Centre, Co. Dublin, Ireland.
Painting: Positives in The Pandemic, sponsored by NTMA Sports and Social Club, Co. Dublin, Ireland.


Collections

2025
Government Art Collection, London, UK.&#38;nbsp;

2024&#38;nbsp;
Morrison Foerster Corporate Art Collection, London, UK.&#38;nbsp;Good Eye Projects Collection, Hammersmith, London, UK.&#38;nbsp;


2022&#38;nbsp;
Mason &#38;amp; Fifth Collection, Primrose Hill, Camden, London, UK 


2021&#38;nbsp;
Critical Cultures Research Essay, selected by Professor David Crowley, NCAD, Co. Dublin, Ireland.

The Irish State Art Collection, selected by Fine Art Registrar Davey Moor, Office of Public Works.


Publications
2025
The London Ear, RTÉ 2XFM, UK.
Art: What Lies Beneath, Irish Sunday Independent, Ireland.&#38;nbsp;Meet the Artist, Sunday Business Post, Ireland.&#38;nbsp;
Artistic License, The Gloss Magazine, Ireland.&#38;nbsp;
In The Press, The Irish Post, London.
New Contemporaries Review, The Guardian, Jonathon Jones.

2024&#38;nbsp;
RETROFUTURE, Visual Arts Ireland, 1-page spread.


2023 
Summer Art Trails, Hammerheads and Harvest Gold, The Irish Times, Ireland. Hazel O’Sullivan returns to Solstice Arts Centre, Meath County Council, Ireland. Dessel ‘23, with excerpt written by Rachael Gunning, Herman’s Auction, Co. Dublin, Ireland. Made In Bed Magazine, Sotheby’s Institute of Art, London, UK. 


2022 Páipéar Book, exhibition catalogue, Hang Tough Contemporary.


2021 The Artists To Watch, The Irish Tatler/Sunday Business Post by Jessie Collins.

New Generation Graduates 2021, Irish Arts Review autumn edition by Sarah Kelleher.

Talks, Workshops, Events, Commission, Displays

2024
Irish Disc: Unknown, Lewisham Arthouse, (one-day commissioned event), London, UK.&#38;nbsp;
2023 
ART UNPLUGGED, Beyond The Degree: Artistic Potential Post-University, Dark Yellow Dot, London, UK.Magnolia, Dark Yellow Dot, 1B Gallery, (window display), London, UK.


2022
Lucida Collective x Chelsea College of Arts: Zine Workshop, London, UK.


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		<title>Press</title>
				
		<link>https://hazelosullivan.co.uk/Press-1</link>

		<pubDate>Sun, 26 Jan 2025 13:46:54 +0000</pubDate>

		<dc:creator>Hazel O'Sullivan </dc:creator>

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PRESS CLIPPINGS


	The Guardian review of New Contemporaries by Jonathon Jones
https://www.theguardian.com/artanddesign/2025/jan/15/new-contemporaries-review-ica-london-kafka-phalluses-muppet-pasolini


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	1-page spread for the Visual Arts News Sheet, September 2024.&#38;nbsp;

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		<title>About</title>
				
		<link>https://hazelosullivan.co.uk/About-1</link>

		<pubDate>Fri, 08 Mar 2024 20:07:30 +0000</pubDate>

		<dc:creator>Hazel O'Sullivan </dc:creator>

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ABOUT
b. 1998, Co. Meath, Ireland. Based in East London.
Hazel O’Sullivanb. 1998, Co. Meath, Ireland. Lives and works in London.


Hazel O’Sullivan is a multidisciplinary artist whose practice explores the afterlives of colonial collections, Irish mythologies, and speculative forms of prototype and architecture. She works across sculpture, painting, drawing, and digital fabrication to reposition cultural artefacts and visual languages from Ireland within contemporary discourses of exhibition history and display. The interplay of analogue and digital is central to the language of her work, drawing from her alternative epistemological research into the coexistence of religious manuscripts, mythology, and retrofuturism.


Her work employs precision and modularity to merge the languages of abstract modernism with the speculative frameworks of retrofuturism. This combination produces complex and layered works that reflect an uneasy and unsettled sense of the present moment, engaging with ideas of alternative futures and world-building while embedding Irish cultural memory within broader decolonial and art historical dialogues


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		<title>Cathair Dearg</title>
				
		<link>https://hazelosullivan.co.uk/Cathair-Dearg</link>

		<pubDate>Mon, 22 Sep 2025 15:09:35 +0000</pubDate>

		<dc:creator>Hazel O'Sullivan </dc:creator>

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CIRCA RÉ

THE KERLIN GALLERY
DUBLIN, IRELAND

2025


Working across painting and sculpture, Hazel O’Sullivan reimagines artefacts and art objects within an immersive retrofuturist narrative. Her paintings frequently interpret forts and mechanisms that open gateways to the mythological Otherworld as a way to connect with pre-colonisation. For Circa Ré, O’Sullivan’s sources include medieval and prehistoric objects, illuminated manuscripts, and sacred grounds. Soaking in this trove of archaeological and artistic references, O’Sullivan then manipulates colour, scale and perspective to create architectural compositions that tap into vernacular traditions and mythologies.

Core to the exhibition are a suite of eight modular paintings, Droichead na Sidhe, which interact to form two cohesive images when hung together. For these works, O’Sullivan draws upon decorative medieval folios to develop abstract forms. Rendered with contemporary painting techniques, the paintings become geometric, illusory – using a trompe-l’œil technique to open up spatial perception and depth.

Circa Ré also includes a triptych of three 300 x 250 cm paintings, the largest O’Sullivan has worked on to date. The central panel reimagines an 8th-century Celtic brooch, found in Lagore Crannog, Co Meath, and now in the British Museum. Through O’Sullivan’s transformations, this palm-sized but intricate object becomes monumental in scale, opened up to encompass a universe of its own, flanked by architectural motifs. Irish artefacts also inform three new sculptures, each based on copper alloy discs from the Iron Age, the original function of which are unknown. O’Sullivan renders them into smooth, monochrome device-like objects – as mysterious and otherworldly as their source material.

Irish Disc: Undocumented, 2025

sculpture, MDF and 3D printed PLA

54 x 54 x 6.5 cm / 21.3 x 21.3 x 2.6 in
Irish Disc: Undisclosed, 2025

sculpture, MDF and 3D printed PLA

65 x 58 x 8 cm / 25.6 x 22.8 x 3.1 in&#38;nbsp;

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		<title>Cathair Dearg copy</title>
				
		<link>https://hazelosullivan.co.uk/Cathair-Dearg-copy</link>

		<pubDate>Mon, 22 Sep 2025 15:21:42 +0000</pubDate>

		<dc:creator>Hazel O'Sullivan </dc:creator>

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		<description>
	

CIRCA RÉ

THE KERLIN GALLERY
DUBLIN, IRELAND

2025


Working across painting and sculpture, Hazel O’Sullivan reimagines artefacts and art objects within an immersive retrofuturist narrative. Her paintings frequently interpret forts and mechanisms that open gateways to the mythological Otherworld as a way to connect with pre-colonisation. For Circa Ré, O’Sullivan’s sources include medieval and prehistoric objects, illuminated manuscripts, and sacred grounds. Soaking in this trove of archaeological and artistic references, O’Sullivan then manipulates colour, scale and perspective to create architectural compositions that tap into vernacular traditions and mythologies.

Core to the exhibition are a suite of eight modular paintings, Droichead na Sidhe, which interact to form two cohesive images when hung together. For these works, O’Sullivan draws upon decorative medieval folios to develop abstract forms. Rendered with contemporary painting techniques, the paintings become geometric, illusory – using a trompe-l’œil technique to open up spatial perception and depth.

Circa Ré also includes a triptych of three 300 x 250 cm paintings, the largest O’Sullivan has worked on to date. The central panel reimagines an 8th-century Celtic brooch, found in Lagore Crannog, Co Meath, and now in the British Museum. Through O’Sullivan’s transformations, this palm-sized but intricate object becomes monumental in scale, opened up to encompass a universe of its own, flanked by architectural motifs. Irish artefacts also inform three new sculptures, each based on copper alloy discs from the Iron Age, the original function of which are unknown. O’Sullivan renders them into smooth, monochrome device-like objects – as mysterious and otherworldly as their source material.

Irish Disc: Undocumented, 2025

sculpture, MDF and 3D printed PLA

54 x 54 x 6.5 cm / 21.3 x 21.3 x 2.6 in
Irish Disc: Undisclosed, 2025

sculpture, MDF and 3D printed PLA

65 x 58 x 8 cm / 25.6 x 22.8 x 3.1 in&#38;nbsp;

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</description>
		
	</item>
		
		
	<item>
		<title>Cathair Dearg copy copy</title>
				
		<link>https://hazelosullivan.co.uk/Cathair-Dearg-copy-copy</link>

		<pubDate>Mon, 22 Sep 2025 15:21:58 +0000</pubDate>

		<dc:creator>Hazel O'Sullivan </dc:creator>

		<guid isPermaLink="true">https://hazelosullivan.co.uk/Cathair-Dearg-copy-copy</guid>

		<description>
	

CIRCA RÉ

THE KERLIN GALLERY
DUBLIN, IRELAND

2025


Working across painting and sculpture, Hazel O’Sullivan reimagines artefacts and art objects within an immersive retrofuturist narrative. Her paintings frequently interpret forts and mechanisms that open gateways to the mythological Otherworld as a way to connect with pre-colonisation. For Circa Ré, O’Sullivan’s sources include medieval and prehistoric objects, illuminated manuscripts, and sacred grounds. Soaking in this trove of archaeological and artistic references, O’Sullivan then manipulates colour, scale and perspective to create architectural compositions that tap into vernacular traditions and mythologies.

Core to the exhibition are a suite of eight modular paintings, Droichead na Sidhe, which interact to form two cohesive images when hung together. For these works, O’Sullivan draws upon decorative medieval folios to develop abstract forms. Rendered with contemporary painting techniques, the paintings become geometric, illusory – using a trompe-l’œil technique to open up spatial perception and depth.

Circa Ré also includes a triptych of three 300 x 250 cm paintings, the largest O’Sullivan has worked on to date. The central panel reimagines an 8th-century Celtic brooch, found in Lagore Crannog, Co Meath, and now in the British Museum. Through O’Sullivan’s transformations, this palm-sized but intricate object becomes monumental in scale, opened up to encompass a universe of its own, flanked by architectural motifs. Irish artefacts also inform three new sculptures, each based on copper alloy discs from the Iron Age, the original function of which are unknown. O’Sullivan renders them into smooth, monochrome device-like objects – as mysterious and otherworldly as their source material.

Irish Disc: Undocumented, 2025

sculpture, MDF and 3D printed PLA

54 x 54 x 6.5 cm / 21.3 x 21.3 x 2.6 in
Irish Disc: Undisclosed, 2025

sculpture, MDF and 3D printed PLA

65 x 58 x 8 cm / 25.6 x 22.8 x 3.1 in&#38;nbsp;

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	&#60;img width="4860" height="6231" width_o="4860" height_o="6231" data-src="https://freight.cargo.site/t/original/i/cc3a416cd08f6f7ba55fe3fc0a88519157e832eee829b5231180c28279503460/HOS02225.jpg" data-mid="238514842" border="0"  src="https://freight.cargo.site/w/1000/i/cc3a416cd08f6f7ba55fe3fc0a88519157e832eee829b5231180c28279503460/HOS02225.jpg" /&#62;
	&#60;img width="4860" height="6231" width_o="4860" height_o="6231" data-src="https://freight.cargo.site/t/original/i/6c3f62fd14637a6abab522cf4156b0869c14a853a458721f7557bda4bed0fd9e/HOS02225_L.jpg" data-mid="238514843" border="0"  src="https://freight.cargo.site/w/1000/i/6c3f62fd14637a6abab522cf4156b0869c14a853a458721f7557bda4bed0fd9e/HOS02225_L.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Irish Disc(s) at Circa Ré</title>
				
		<link>https://hazelosullivan.co.uk/Irish-Disc-s-at-Circa-Re</link>

		<pubDate>Mon, 22 Sep 2025 14:34:35 +0000</pubDate>

		<dc:creator>Hazel O'Sullivan </dc:creator>

		<guid isPermaLink="true">https://hazelosullivan.co.uk/Irish-Disc-s-at-Circa-Re</guid>

		<description>
	

CIRCA RÉ

THE KERLIN GALLERY
DUBLIN, IRELAND

2025


Working across painting and sculpture, Hazel O’Sullivan reimagines artefacts and art objects within an immersive retrofuturist narrative. Her paintings frequently interpret forts and mechanisms that open gateways to the mythological Otherworld as a way to connect with pre-colonisation. For Circa Ré, O’Sullivan’s sources include medieval and prehistoric objects, illuminated manuscripts, and sacred grounds. Soaking in this trove of archaeological and artistic references, O’Sullivan then manipulates colour, scale and perspective to create architectural compositions that tap into vernacular traditions and mythologies.

Core to the exhibition are a suite of eight modular paintings, Droichead na Sidhe, which interact to form two cohesive images when hung together. For these works, O’Sullivan draws upon decorative medieval folios to develop abstract forms. Rendered with contemporary painting techniques, the paintings become geometric, illusory – using a trompe-l’œil technique to open up spatial perception and depth.

Circa Ré also includes a triptych of three 300 x 250 cm paintings, the largest O’Sullivan has worked on to date. The central panel reimagines an 8th-century Celtic brooch, found in Lagore Crannog, Co Meath, and now in the British Museum. Through O’Sullivan’s transformations, this palm-sized but intricate object becomes monumental in scale, opened up to encompass a universe of its own, flanked by architectural motifs. Irish artefacts also inform three new sculptures, each based on copper alloy discs from the Iron Age, the original function of which are unknown. O’Sullivan renders them into smooth, monochrome device-like objects – as mysterious and otherworldly as their source material.

Irish Disc: Undocumented, 2025

sculpture, MDF and 3D printed PLA

54 x 54 x 6.5 cm / 21.3 x 21.3 x 2.6 in
Irish Disc: Undisclosed, 2025

sculpture, MDF and 3D printed PLA

65 x 58 x 8 cm / 25.6 x 22.8 x 3.1 in&#38;nbsp;

	&#60;img width="4392" height="5630" width_o="4392" height_o="5630" data-src="https://freight.cargo.site/t/original/i/f619ad62eb4101591b3d558752957bf54e275bc6ecd5389f0230883edf6f8c17/HOS02125_FLR_L.jpg" data-mid="238509973" border="0"  src="https://freight.cargo.site/w/1000/i/f619ad62eb4101591b3d558752957bf54e275bc6ecd5389f0230883edf6f8c17/HOS02125_FLR_L.jpg" /&#62;
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	&#60;img width="4860" height="6231" width_o="4860" height_o="6231" data-src="https://freight.cargo.site/t/original/i/cc3a416cd08f6f7ba55fe3fc0a88519157e832eee829b5231180c28279503460/HOS02225.jpg" data-mid="238509982" border="0"  src="https://freight.cargo.site/w/1000/i/cc3a416cd08f6f7ba55fe3fc0a88519157e832eee829b5231180c28279503460/HOS02225.jpg" /&#62;
	&#60;img width="4860" height="6231" width_o="4860" height_o="6231" data-src="https://freight.cargo.site/t/original/i/6c3f62fd14637a6abab522cf4156b0869c14a853a458721f7557bda4bed0fd9e/HOS02225_L.jpg" data-mid="238509987" border="0"  src="https://freight.cargo.site/w/1000/i/6c3f62fd14637a6abab522cf4156b0869c14a853a458721f7557bda4bed0fd9e/HOS02225_L.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Circa Ré</title>
				
		<link>https://hazelosullivan.co.uk/Circa-Re-1</link>

		<pubDate>Mon, 22 Sep 2025 14:18:02 +0000</pubDate>

		<dc:creator>Hazel O'Sullivan </dc:creator>

		<guid isPermaLink="true">https://hazelosullivan.co.uk/Circa-Re-1</guid>

		<description>
	

CIRCA RÉ

THE KERLIN GALLERY
DUBLIN, IRELAND

2025
Working across painting and sculpture, Hazel O’Sullivan reimagines artefacts and art objects within an immersive retrofuturist narrative. Her paintings frequently interpret forts and mechanisms that open gateways to the mythological Otherworld as a way to connect with pre-colonisation. For Circa Ré, O’Sullivan’s sources include medieval and prehistoric objects, illuminated manuscripts, and sacred grounds. Soaking in this trove of archaeological and artistic references, O’Sullivan then manipulates colour, scale and perspective to create architectural compositions that tap into vernacular traditions and mythologies.

Core to the exhibition are a suite of eight modular paintings, Droichead na Sidhe, which interact to form two cohesive images when hung together. For these works, O’Sullivan draws upon decorative medieval folios to develop abstract forms. Rendered with contemporary painting techniques, the paintings become geometric, illusory – using a trompe-l’œil technique to open up spatial perception and depth.

Circa Ré also includes a triptych of three 300 x 250 cm paintings, the largest O’Sullivan has worked on to date. The central panel reimagines an 8th-century Celtic brooch, found in Lagore Crannog, Co Meath, and now in the British Museum. Through O’Sullivan’s transformations, this palm-sized but intricate object becomes monumental in scale, opened up to encompass a universe of its own, flanked by architectural motifs. Irish artefacts also inform three new sculptures, each based on copper alloy discs from the Iron Age, the original function of which are unknown. O’Sullivan renders them into smooth, monochrome device-like objects – as mysterious and otherworldly as their source material.

&#60;img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/7ea1f6a5c39e1bcca91f18537e61fc9d3b52c59b34cc5c7d2c48906919132322/1_2025_KERLIN_HoS_03.jpg" data-mid="238507710" border="0"  src="https://freight.cargo.site/w/1000/i/7ea1f6a5c39e1bcca91f18537e61fc9d3b52c59b34cc5c7d2c48906919132322/1_2025_KERLIN_HoS_03.jpg" /&#62;

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</description>
		
	</item>
		
		
	<item>
		<title>Droichead na Sídhe</title>
				
		<link>https://hazelosullivan.co.uk/Droichead-na-Sidhe-1</link>

		<pubDate>Mon, 22 Sep 2025 15:30:54 +0000</pubDate>

		<dc:creator>Hazel O'Sullivan </dc:creator>

		<guid isPermaLink="true">https://hazelosullivan.co.uk/Droichead-na-Sidhe-1</guid>

		<description>
	

DROICHEAD NA SÍDHE

FOCAL POINT GALLERY
ESSEX, UK

2025


Railway Bridge Commission
Sat 19 Jul to&#38;nbsp;Sun 19 Oct 2025


Focal Point Gallery is pleased to present our annual Railway Bridge Commission with a new site-specific public artwork by multi-disciplinary artist, Hazel O’Sullivan.

Droichead na Sídhe is a two-part artwork composed of eight individual acrylic paintings on canvas that have been photographed, digitally enlarged and assembled into two banner-scale prints. The compositions are based on intricate folios from illuminated Celtic manuscripts, reinterpreted as embodied form though a painting process that explores space and mythology.

Each component engages with a reductive tromp-l’œil technique, where contrasting tones of colour are placed side by side to suggest space and physical depth. The colours are informed by small chromatic passages from Siena: The Rise of Painting, 1300 ‒50 at the National Gallery in London, as a visit sparked by an interest in early perspective painting. This historical technique is reconfigured here to emphasise symbolic form over direct representation.

The title, Droichead na Sídhe (Bridge of the Fairies), references locations in the Irish landscape believed to be thresholds or gateways to the Otherworld. These locations are of historical and mythological significance and lie permanently undisturbed as sites of respect, superstition and caution. This work intends to transform the railway bridge into a physical and symbolic threshold that explores both medieval and mythological visual traditions on its own terms.

&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/ef5a7022f1c6dee3735e37cf40185f666ad109053668f90400b0b0a66dc07b55/20250718-FPGBC-2.jpg" data-mid="238520835" border="0"  src="https://freight.cargo.site/w/1000/i/ef5a7022f1c6dee3735e37cf40185f666ad109053668f90400b0b0a66dc07b55/20250718-FPGBC-2.jpg" /&#62;

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